Open every day. Mon. 12h. - 17h. Tues. - Friday 10:30h - 18:30h. Sat. 10:30h - 17h. Sunday 12. -17h.  info@architectura.nl  tel. ++ 31 20 623 61 8 6

Cart:

0 item(s) - €0.00
You have no items in your shopping cart.

0

A Forest of Symbols : Art, Science, and Truth in the Long Nineteenth Century

In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell―filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Author:Andrei Pop
Language:English
Published:2019
Binding:HBK

Availability: In stock

€ 32.50