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Italy's fascist period (1922-1943) is perhaps the least-understood episode of Rome's architectural history. Yet paradoxically those two decades have, arguably more than any other, defined our contemporary view of Rome's world-famous ancient, Renaissance, and Baroque urban landscapes. The book examines the ways in which the fascist regime sought to remake Rome according to its own vision of the past, and surveys the afterlife of Mussolini's architectural and urban projects, from the Roman Masterplan to the Foro Italico. Internationally, there is currently much debate on the controversial status of public monuments - their abandonment, defacement, re-integration or removal - and, as After the Fall demonstrates, Rome provides a rich setting in which to examine these topical, pressing questions.