JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser.
We use cookies to make your experience better. To comply with the new e-Privacy directive, we need to ask for your consent to set the cookies. Learn more.
Fearless Forms, Fearful Concrete is the story of an architectural soap opera in early 20th-century Brazil. It is about new technologies, cultural debates, and the dawn of modernism in architecture, with at the time novel reinforced concrete as a reference point. The design for Brasília, the country’s new capital, marks a culmination of Brazilian anxieties around national identity: camouflaged under whitewashed surfaces of iconic buildings, engineers and architects created the narratives to support their projects.
The protagonists are leading figures of Brazil’s architectural modernism, such as Lucio Costa, Joaquim Cardozo, and Oscar Niemeyer, and international artists and intellectuals including Tarsila do Amaral, Monteiro Lobato, Le Corbusier, and Blaise Cendrars. Their complex web of relationships illustrates boundaries of public discourse and the subtle connections between a wide range of topics, from technology to eugenics, from medicine to construction techniques, from prostitution to urban renewal.