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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself
Black Turtleneck, Round Glasses uses an intersectional feminist perspective to examine the structural causes that push women—and anyone else who isn’t a white cis man—out of the branch. How can architectural teaching and discourse as well as the industry’s self-image become more diverse? Where are the experiences of a pluralistic society missing from the built environment? How can we bring about cultural change in planning and architecture?