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How do we understand landscape today? How do we discuss and visualize nature? Can they be conceived and represented as something existing independently of the viewer, now that the human race has gotten into a very last corner of the world? 'Landscape with(out) Locus' interprets landscape as an ever-changing social, economic, and ecological construct. Addressing questions of power, identity, and natural resources, the publication follows histories of surveillance and colonialism, considering photographic (and post-photographic) images as central to the process of interacting with the world.